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FIGINO, Giovanni Ambrogio Still-life with Peaches and Fig-leaves fdg oil painting


Still-life with Peaches and Fig-leaves fdg
Painting ID::  6663
FIGINO, Giovanni Ambrogio
Still-life with Peaches and Fig-leaves fdg
1590s Oil on canvas Private collection

   
   
     

FIGINO, Giovanni Ambrogio Portrait of Lucio Foppa  tu oil painting


Portrait of Lucio Foppa tu
Painting ID::  6664
FIGINO, Giovanni Ambrogio
Portrait of Lucio Foppa tu
. 1590 Panel, 105 x 50 cm Pinacoteca di Brera, Milan

   
   
     

FIGINO, Giovanni Ambrogio Blanca Maria Sforza oil painting


Blanca Maria Sforza
Painting ID::  81098
FIGINO, Giovanni Ambrogio
Blanca Maria Sforza
c. 1493 Medium Oil on panel cjr

   
   
     

FIGINO, Giovanni Ambrogio Metal Plate with Peaches and Vine Leaves oil painting


Metal Plate with Peaches and Vine Leaves
Painting ID::  82510
FIGINO, Giovanni Ambrogio
Metal Plate with Peaches and Vine Leaves
-1594 Medium Oil on panel Dimensions 21 x 29 cm (8.3 x 11.4 in) cyf

   
   
     

FIGINO, Giovanni Ambrogio Blanca Maria Sforza oil painting


Blanca Maria Sforza
Painting ID::  85154
FIGINO, Giovanni Ambrogio
Blanca Maria Sforza
1493 Medium Oil on panel cyf

   
   
     

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     FIGINO, Giovanni Ambrogio
     Italian painter, Lombard school (b. ca. 1551, Milano, d. 1608, Milano) was an Italian Renaissance painter from Milan. An important representative of the Lombard school of painting, he had been taught by Giovanni Paolo Lomazzo. Best known as a draftsman, he was also a skilled portrait painter. Among the few portraits that can be traced back to Figino, the portrait of Field Marshal Lucio Foppa is one of the best known. On January 25, 2001, his Portrait of Giovanni Angelo was auctioned at Sotheby's for US$ $1,435,750; after a high estimate of US$ 180,000[1]. The organ shutters for the Cathedral of Milan were painted after 1590 by Ambrogio, Camillo Procaccini, and Giuseppe Meda, depicting the Passage of the Red Sea and the Ascencion of Christ. In the Castello Sforcesco there is a painting of his of Saint Ambrose expelling the Arians. A still life painting, a thematic uncommon among Italians of his day, of peaches is attributed to him He also painted in Milan an Immaculate conception for Sant'Antonio,

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     | Nicolai Abildgaard | Francesco di Stefano called Pesellino | NOVELLI, Pietro |


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